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The other problems experienced at the Hong Kong Disneyland is ticketing as many visitors to the park had been turned away as the park was already full. The problem mainly occurred during the public holidays.
Looking for research paper on cultural studies? Let's see if we can help you! The ticketing and capacity problems are teething problems that the management tried to resolve by revising their ticketing policies Schuman 1. The American Disney lands have more visitor attractions compared to Hong Kong Disneyland that is smallest of all the Disney lands.
The lack of many attractions may also be a contributing factor to the unsatisfactory number of visitors.
The Chinese and American cultures are very different. The management at the Hong Kong Disneyland land at first did not appreciate the difference and operated the parks as if they are in America. They failed to take into account the Chinese cultural traditions and consumption habits. The Chinese people may be open to the American culture but they value their culture so much that Hong Kong Disneyland must embrace the local culture to stay relevant.
The movies shown in Disneyland such as The Secret of the Magic Gourd and Mulan have included Chinese elements in order to win audiences. On the other hand, the Disney lands in America represent the local culture and many people understand or are familiar with the Disney characters because of exposure through the Disney channel. Therefore, they are more accepting of Disneyland because the stories relate to their culture and history. However in China Disneyland is a new phenomenon and effort has to be put to make the locals familiar with the Disney characters so that they can appreciate Disney world and not see it as an American form of invasion on their culture Jingwei 1.
The Chinese people believe in Feng Shui and Chi. Feng Shui refers to wind and water. The Chinese tradition in building is to put the elements in harmony so that they can bring the people good luck. In line with the Chinese culture, Hong Kong Disneyland contracted Chinese masters in feng shui to incorporate it in the park. Feng shui involves five earthly elements and they must be balanced in order to bring good luck. The five elements are properly positioned in Hong Kong Disneyland. For example, at the entrance, there is a rolling fire projection but in other areas, fire is forbidden.
The entrance also has big entry portals to enhance feng shui. Chi is a belief in positive and negative energy and it works hand in hand with feng shui. The Chinese value rocks because they bring stability in feng shui hence the park has many large rocks throughout the Hong Kong Disneyland. The hotels in the Disneyland have huge rocks located at their entrance for feng shui. The rocks also prevent good luck from escaping and flowing away from the park hence brings good luck to the people.
The other element that the Chinese believe brings luck is water. The Hong Kong Disneyland has many water features because water is very important in feng shui. The park ahs many streams, lakes and ponds scattered throughout to bring good fortune wealth and luck.
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At the entrance of the park is a huge fountain that greets visitors into the park to bring them god luck. The Disney Hollywood and Hong Kong Disneyland hotel are constructed in special locations that have water and positioned in a southwest direction to make use of feng shi and bring forth prosperity.
Besides there is a waterfront in front of Disneyland and it pours its water into the ocean and its position is good feng shui Feng Shui at Hong Kong Disney 1. On the contrary, the architecture at the Disney lands in Florida and Los Angeles is constructed to represent the different periods in American history without bearing in mind any cultural believes in the designs of the parks. The parks are different from that in Hong Kong because they do not represent other cultures such as the Europeans or African Americans.
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Cultural Differences Between the United States and Ukraine Essay
Perhaps the CCP has noted the similarity of the recently detained student Marxists to the activists of 30 years ago and the May Fourth heroes of ? A common misconception about the protestors is that they were just as anti-Communist as their eastern European counterparts who brought down the Berlin Wall. In fact, they sought not to topple the CCP but see it return to its avowed roots.
In reality, the story of both Qing times and the post era are much more complicated. The result was a mixed system of rulership, symbolised, for example, by the Manchu and Chinese languages each having political roles. E ven so, these days the popularity of Western influences, not least Western festivals in China still generates heated debates online.
It is possible, they say, to enjoy Santa Claus — who in China is curiously portrayed playing a saxophone — while also respecting indigenous traditions. What these debaters mistakenly take for granted is that the line between types of holidays is clear: Western festivals in one category, and Chinese ones in the other. The reality is murkier, and more interesting.
Once the PRC was founded in , 8 March was installed as a regular part of the political calendar, and celebrated only in CCP style across the mainland. By the late 20th century, things shifted again. Decade by decade, 8 March editorials in official publications and state-sponsored rituals put more emphasis on traditional values, and gave less attention to ideas of gender equality, to the point that CCP celebrations now have much more in common with the Nationalist ones of the s than the respective Communist ones.
The result is that 8 March remains a major calendar date in China, even if Mao would barely recognise how it is celebrated. Women get no credit for holding up half the sky, but they do get half a day off work, and many companies organise special perks such as spa days or afternoon teas for their female staff.
Businesses flock to the marketing opportunity: one chain of pizza restaurants in Beijing this year offered women a 50 per cent discount — only on salads.
But it is the specificity of the process that needs examining if we are to truly understand globalisation. There are now more than 2, Golden Arches across China, mainly in the cities and clustered along the prosperous east coast. Many outlets offer localised menu items that would seem bizarre to an average American: burgers made with mantou, a Chinese steamed bread, or deserts made with red-bean paste, a popular Chinese delicacy that many foreigners baulk at.
It is not a place to get a whole meal, as it is in the West, nor does it have the same plebeian fast-food connotations. It is also aspirational, in a climate where imported goods are seen as a luxury, and sometimes an oddity. But the judicious and fragmentary Sinification, as determined by the brand executives, compared with the organic, consumer-led mutations across the country, highlights the differing, sometimes competing cultural forces at play in China. Any US brand trying to do business in a country plagued with anxiety about Western ideas has to grapple with this fraught local environment.
For example, Bohemian Rhapsody was one of 34 foreign films allowed to be released in China this year, only with all of its LGBT content excised. China is not alone in censoring foreign media in the name of sexual mores; and while liberal Westerners might disapprove of such prudishness, it is at least comprehensible in the Western framework of how art is consumed in different parts of the world. But this understanding does not tell the whole story because, in China, it is not just that Western culture has to be tempered for a domestic audience: it is that cultural imports are re-appropriated from their original meanings by both top-down and bottom-up forces, giving them a new life of their own.
Consider Peppa Pig.
7 Differences between Chinese and American Culture
These days, the animated piglet is probably more recognisable in China than in her home country, the UK. In one typical episode, Peppa, her little brother and their pig parents fly a kite in the park: that is the full extent of the plot. In , Peppa arrived in China and was particularly popular among small children trying to learn English. Season Five of her adventures has been viewed more than 14 billion times in China. Yet Peppa took on a new life that her British creators and Chinese broadcasters could never have predicted. Of course, the crackdown only boosted her fame.